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Versatile litterateur
WITH the death of Pandit Ogeti Parikshit Sarma on the February 1,
2001, India has lost one of its greatest contemporary Sanskrit
writers. His was a many-splendoured achievement. His "Yashodhara
Mahakavyam" is an epic on the life of Yadhodhara - the wife of
Gautama - in 20 cantos which got him the prestigious Kalidas
Sanman from Madhya Pradesh in 1976. His second epic is even more
remarkable. "Srimat Prataparanayanam" is on the life of Rana
Pratap in 80 cantos, containing a total number of 4233 verses It
is also a technical tour de force, as he has used 33 metres here.
This is the second largest epic of the 20th Century in Sanskrit
and it deservedly won the Central Academy Award in 1990. This
great epic-poet proved that he was no less a dramatist when he
wrote his "Parishinataka Chakram" - a unit of 27 plays based on
"Bhasa Nataka Chakram". Fourteen of these plays are based on the
stories from the Ramayana and the Mahabharata.
Not content being a classical poet, his concern for popular
literature and folk songs was revealed when he wrote "Janapada
Nritya Gita Manjari", a collection of 64 folk songs divided into
six sections. The delightful abandon of fishermen, the charming
notes of the rustic farmers' songs, the game of hide and seek
among the village boys show the concern of the poet for the
common man.
His Soundarya Mimamsa is a unique work in aesthetics reminding
one of the rich tradition of Sanskrit aesthetics. The writer
declared, "It has all along been my ardent desire to compose a
work on aesthetics in Sanskrit". As if to dispel the popular
misconception that Sanskrit creative writers get lost in
antiquity in India's glorious past and nothing else, Dr. Sarma
wrote his play "Kargil Vijayam", which celebrates the valour and
patriotism of the Indian soldiers at Kargil. Not content with
writing these varied works in the field of epic, drama, folk
literature, aesthetics and dealing with contemporary issues, as
if by a premonition, he wrote his Autobiography Kalaya Tasmai
Nahama which is the only autobiography in Sanskrit in recent
years. He served as a minister of Hindu religion in a Hindu
temple for eight years in Ottawa, Canada. In addition to
Sanskrit, it may be mentioned that he has written in Telugu, his
mother tongue, as well as in English. His prolific writing and
its range is too vast to be encompassed in a humble tribute like
this.
S. RANGANATH
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