The work of composer Vivek Sagar for Pelli Choopulu boasts of an assurance that's rare for a first-timer. The fresh soundtrack explores patterns in different genres, original and yet un-cinematic, where a bunch of new and experienced voices add finesse to the outcome. The confident engineer-turned-musician makes his film debut, after dabbling with several short-films, jingles and band stints.
On the texture of the music in his debut vehicle, he credits director Tharun Bhascker. “A debut is definitely special, more or so for a film that has a lot of heart. Here, the diversity is also because of Tharun's openness to embrace a wide variety of music forms. That gives you the liberty to attempt something new and go beyond the formula. I may have my own sensibilities, but quality music is born when there's rapport with a maker who directs you to the film's soul,” says the composer , post a private screening of the film.
The rapport seems to have been easier since they’ve known each other from when they worked for a popular short film titled
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Interestingly,
Vivek's interest to compose for films stemmed from his desire to work on several genres, forms, stories unlike independent music where a sound pattern can restrict one's abilities.
As appreciation of his work in
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His next is an experimental film Sheeshmahal , that’s targeted at the festival circuit. “Whatever I do beyond that, the aim will always be to scale ahead of my work for Pelli Choopulu ,” says the youngster.