From the spirit of the Ghadarites to the sacrifice of Durga ‘Bhabhi’, a section of historians and the political class feel that the contribution of revolutionaries to the Indian freedom movement has not been well-documented. In a bid to strike a balance, the Allahabad Museum is in the process of creating a “one of its kind” Azad Gallery, where the story of the revolutionary struggle of the Indian freedom movement would be told through artefacts and interactive displays.
Named after Chandra Shekhar Azad, who attained martyrdom at about 300 metres from the museum, the gallery is expected to be complete by July 23, 2021, the 115th birth anniversary of the revolutionary.
Backed by the Ministry of Culture and the National Council of Science Museums (NCSM), the infrastructure for the “multi-pronged project is being developed with a budget of around ₹8 crore in 7,500 sq. ft. of space where the revolutionary struggle will be specially depicted, starting with 1857’s First War of Independence to the Azad Hind Fauj,” said Sunil Gupta, Director in-charge of the museum.
Dr. Gupta, who has spent three decades at the museum in different capacities, said the story of this struggle had not been comprehensively told through curatorial display and was being done for the first time by the Allahabad Museum.
Promising a “world-class experience”, Dr. Gupta said the infrastructure would be ready by January and the NCSM would then take over to implement the design.
One of the highlights of the museum has been the .32 caliber Colt pistol which belonged to Azad. It is showcased in a bulletproof case and is guarded by U.P. police personnel. “As per our records, the pistol is said to have been received from John Knott Bower, the police officer who led the encounter against Azad,” said Dr. Gupta.
On the theory that although the Colt could have belonged to Azad, it was a Mauser he used during the shoot out, Dr. Gupta said the records of Azad’s associates were being looked into. “Revolutionary Manmath Nath Gupta, in his book They Lived Dangerously , has recounted an incident in which a Mauser pistol owned by Azad went off accidentally. Gupta [the author] also recounted that Azad was also loading other pistols and revolvers that he had with him,” Dr. Gupta said.
Dr. Gupta recalled Durga (Devi Vohra) ‘Bhabhi’, who assumed the identity of Bhagat Singh’s wife to help him escape from Lahore after Saunders’ assassination, grew up in Kaushambi near Allahabad before being married to revolutionary Bhagwati Charan Vohra. “She was no less than Bhagat Singh. A day after Bhagat Singh and his associates were sentenced to death, she fired at a British police officer and his wife from a moving car in Bombay,” he said.
Dr. Gupta argued it was not that she was not celebrated at all but that she was never made an icon. “She almost remained incognito till she died in 1999. She ran a small school in Lucknow and we are in the process of acquiring documents related to her,” he said.
The museum also has a kurta - pyjama and sword of Maulvi Liaquat Ali, who was the leader of revolutionaries in 1857 in Allahabad. “Under him, Allahabad was liberated for at least 10-15 days. His headquarters was the historic Khusro Bagh, where he unfurled the flag of the Mughal emperor,” recounted Dr. Gupta.
In the arms and armoury gallery of the museum, there is a submachine gun of the First World War, “the kind which would have been used by Ghadar revolutionaries in 1915 had the rebellion not been thwarted because of international conspiracies,” Dr. Gupta said.
There are a number of welcome addresses as well which were “gifted to Pandit Nehru when he visited Singapore, Malaya and Burma in 1937-38 before the Second World War. They were given by Indian-origin merchants, who a few years later funded the INA (Indian National Army),” said Dr. Gupta.
There is also an original letter by Vishnu Sharan Dublish, an accused in the Kakori case.
World over, Dr. Gupta said, artefacts are backed by virtual experiences. “It excites children and helps fill the gaps in the narrative. Seven short films made by the Satyajit Ray Film and Television Institute will be on show,” he said.
On the ideological slant of the gallery, Dr Gupta said, “We already have galleries devoted to Gandhi and Nehru. As a student of history, I could say the revolutionaries have been horribly sidelined and in some cases, such as Durga ‘Bhabhi’, I would say it was consciously done. However, we were clear the museum is not just about the freedom struggle and have not parted with the [museum’s] Central Hall. We are located in the middle of the Gangetic civilisation and our sculpture collection is amazing. We are sending six-seven of them [sculptures] for an exhibition in the Metropolitan Museum, London.”
Published - January 03, 2021 06:12 pm IST